“As a medium-specific term (such as video art or performance art) radio art implies that the artist who works in, and with, radio is not necessarily a trained DJ, programmer, producer, engineer, or personality, but one who uses sound to make art and seeks ways to transit it through radio as art. The act and process suggests that the radio medium can be used in an alternative way (even shaped as a material), in relation to its familiar use.
The origins of radio are deeply rooted in a very idealistic socialist potential to provide the communication necessary to connect people across space and time. At the beginning of the 20th century, radio was the equivalent to the Internet today in terms of its social as well as political possibilities. However, its development into a highly hierarchical system with expensive licensing fees and severe punishments for violations of these laws in order to protect certain industries has resulted in radio space being controlled by guardians of commerce. Radio licensing laws are concerned with the protection of copyrighted material. Radio has the potential to be a completely liberated, mobile and inhabited mass media.”